Like pretty much every SSX game in the series, On Tour was pretty well received by reviewers, but there was a bit of a downturn in opinion compared to previous games.
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If nothing else, SSX On Tour was also the first game in the series to offer skiing as a viable discipline, meaning players could experience going down a snowy mountain at 100 mph with their legs akimbo instead of strapped to one long piece of wood.
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Series legacy characters would pop up, but this was very much your journey, and you were free to customise yourself as you saw fit along the way. Players would compete in events or “Shreds”, which were bitesize challenges designed to offer fun distractions from the main competitions. In a first for the SSX series, players were given the ability to create their own character to go out on The Tour, which let players explore a sprawling mountain range with plenty of routes and secrets to find. This is relatively speaking though, as SSX On Tour is still an utterly wonderful snowboarding game, even if the UI and menus look like that weird kid at school’s notepad. Like any good snowboarding race, it was all downhill from here. It added an extra wrinkle to the game’s formula, and the enhanced online focus with geotags placed by other players aided in challenges and discovery, but the game failed to make an impact like the iterations before it.ĭespite healthy review scores and decent sales, we haven’t seen another SSX game since.Īfter an almost flawless original trilogy of SSX games (which might have given away the latter half of this list), SSX On Tour felt like the series’ first misstep. With the Deadly Descents being SSX 2012’s key gimmick, players are given different pieces of equipment designed to make snowboarding easier, from armour to protect against crashes to wingsuits for large gaps. The only issue is they’re competing with utter dork Griff in order to do it first, leading to a global race to determine who the elite snowboarders are. Perhaps the only SSX game with any semblance of a proper story, the game sees classic characters like Elise and Mac, along with newcomers like Tane, form Team SSX to conquer 9 deadly, real life mountains. Thankfully, the final release managed to add some colour when it launched, though the Deadly Descents themselves remained. Originally announced as SSX: Deadly Descents, the game appeared to utilise a more realistic and darker tone, which is everything that the SSX series is not. The most recent SSX game, which is now approaching its tenth anniversary, SSX could have been a very different game had it stayed with its initial direction.
Critics liked a lot of the ideas put forward by Blur, but they were hopeful for a sequel to build on those ideas that ultimately never came to pass. While SSX Blur isn’t necessarily a bad game, far from it in fact, it used a decent amount of assets from prior games SSX 3 and On Tour, and the motion controls made the game feel like a thrown together release for the Wii.
Uber Tricks, the series staple of flamboyant tricks, could even be pulled off by drawing shapes on the screen. Players would use the Nunchuk to control movement, speed and jump height, while players could perform tricks by moving the Wii remote in a variety of different directions. Considering the SSX series cut its teeth outside of the Wii, EA saw the opportunity to load SSX Blur with plenty of motion controls using the Wii remote and Nunchuk controllers. It’s not that the game is bad, more that it’s the product of its era.īlur was a Wii exclusive title which launched in 2007. You’ve heard the saying “best of a bad bunch” before, but in this case, SSX Blur feels more like the worst of a good bunch.
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